I’m a sociologist currently lecturing at Newcastle University. I have a background in cultural theory and an enduring interest in environmental utopianism. I’m particularly concerned with what utopian fiction can contribute to debates about better futures with nature. Seen as expressions of desire for something different and better, rather than simply structural blueprints, utopian narratives can open up critical and creative spaces for imagining otherness and social change.

The disruptive temporalities offered by utopian thinking are more necessary than ever in relation to contemporary environmental problems and politics. Dominant climate change discourses work with a limited set of temporal repertoires: rational modelling and prediction, popular catastrophism, individual techniques of carbon counting and self-discipline. In these contexts, the capacity to imagine and hope for better social-natural futures seems to be receding. The emphasis is on preserving existing social arrangements and relationships rather than responding to how notions of community might be generatively challenged by bringing nature into matters of ethics, politics and human well-being.

I hope this workshop will help develop my thinking about the powerful resources offered by utopianism, its capacity to critique the present and stimulate affective and experiential engagements with alternative temporalities and different kinds of community. And I hope to learn more about how these ideas might connect with diverse research on time and community, especially approaches that cross boundaries between the humanities and social sciences.

I am an independent researcher whose academic training has primarily been in the area of Literary Studies and Critical Theory. In 2007 I began volunteering at a people’s history museum in Cardiff called the Butetown History & Arts Centre, where I learnt about life stories, oral history and the possibility of using museums as a vehicle for social change. Since then I have pursued an interest in public history and have recently curated an exhibition about feminism in Bristol called Sistershow Revisited. At present I am very interested in creating on and offline spaces where people and historical information can collide. My approach to this workshop will draw on these concerns, specifically exploring the issue of time within researching, documenting and disseminating vulnerable forms of material culture. As a case study I will draw on the Women’s Liberation Music Archive, a recently launched web archive of music from the UK feminist movements of the 1970s and 1980s. I shall be exploring how the creative actions produced by women in these communities, when digitised, has the capacity to transform the temporality of contemporary cultural memory.